Craig Weir & the Cabalistic Cavalry are a folk pop- and rockband from Carnoustie, Angus featuring Craig Weir (vocals, guitar, ukulele), Ross White (bass guitar, electric guitar, backing vocals), Joshua Innes (keyboard, fiddle, backing vocals) and Paul Weir (percussion).
Craig Weir & the Cabalistic have appeared live around the UK and have played a range of major festivals including Belladrum Tartan Heart Festival. The band have opened for a range of artistes including The View’s Kyle Falconer, The Libertines’ side project John Hassall & The April Rainers and Twisted Wheel. There are further support slots booked with AmyJo Doh & The Spangles and Skerryvore and further gigs across the UK, Spain, France and Germany.
Look out baby! Crosstown Traffic is in town om de beste hits uit de 60's en 70's spelen. Classic Pop en Rock met een rauw randje, opgeschud in een 21e-eeuwse cocktail.
Geen bullshit maar groove, riffs en de sound die je niet stil laat zitten..
London five-piece Curse Of Lono recently released their debut album ‘Severed’, a
sumptuously cinematic record that combines harmony-laden Americana with driving,
gothic alt-rock. The album follows Curse Of Lono’s critically acclaimed debut EP,
released October 2016, which also formed the soundtrack to ‘Saturday Night’, a short
film of inter-connected music videos directed by Alex Walker. The film recently won
Best Music Video at the LA Independent Film Awards, the London Independent Film
Awards and Feel The Reel International Film Festival in Glasgow and has made the
official selection at the International Music Video Underground in LA and the
Sunlight International Film Festival in Moscow.
Founded and fronted by Felix Bechtolsheimer, formerly the singer-guitarist in British
roots pioneers Hey Negrita, Curse Of Lono formed in early 2015, though the songs
on ‘Severed’ were written over a 14-year period. They range from the perky, Paul
Simon-ish new single ‘Pick Up The Pieces’ to the more lugubrious ‘He Takes My
Place’, the almost jazzy ‘London Rain’ and the rootsy, rhythmic ‘Send For The
Whisky’. The album belongs as much to the Americana tradition and old faithfuls
such as Little Feat as it does to more modern, playful practitioners of the form such as
Wilco and Beck.
Lyrically, the songs cover themes including infidelity and sexual jealousy, the death
of friends, and Felix’s personal struggle with heroin addiction. “Although ‘Severed’ is
a dark record in places, it is not an addiction record,” says Felix. “It’s about growing
up enough to be able to share a drink with the ghosts of the past without letting them
push you around.”
Curse of Lono will be support act during the upcoming EU tour of Chuck Prophet.
From high-octane funk to soulful, intimate sets one constant is ever-present during a Curtis Millen performance: good energy. The Irish singer and lyricist is often associated with a warm, inviting presence that makes audiences feel as if they’re a part of the show and not just at one. Curtis came to Rotterdam to explore the city’s vibrant music scene and is yet to be disappointed. Come along and join him on his journey - you won’t be disappointed either!
Altijd verassend en een tikkie eigenwijs.
Een folkband met een zeer breed repertoir. Van iers tot amerikaans. Van Bob Dylan, Bruce Springsteen tot Christy Moore, Luka Bloom, The Pogues, jigs, pubsongs en ballads. En alles wat je daar tussen kunt verwachten en niet verwacht.
De zelf geschreven nummers van de groep vallen op door de bijzondere stijl. Hiermee heeft Daddy-O een eigen folkrichting ingeslagen.
De ‘good old boys’ van Daddy-O staan garant voor leef-tijdloze muziek.
No nonsense folk waarbij alles mag en niets moet. Geen pub is te klein en geen event te groot. Altijd weet Daddy-O de juiste sfeer te treffen.
Maar liefst 14 instrumenten en 5 man zorgen ervoor dat je je geen moment verveelt.
Daddy-O is bij uitstek een groep voor gezellige avonden waar niets hoeft, maar alles kan en mag.
Ze tredenzowel akoestisch als versterkt op.
Daddy-O is een aanrader voor mensen die de sfeer van een pub of local hang-out kunnen waarderen.
Maar ook de ‘luisteraar’ komt zeker aan zijn/haar trekken.